- Production DesignBeaten by John Decuir: Walter M. Scott, Lyle R. Wheeler and Paul S. Fox for The King and I
- Production Design (Black and White)Shared with F. Keogh Gleason and Malcolm Brown: Edwin B. Willis
- Production Design (Black and White)Beaten by Arthur Krams, Hal Pereira and Tambi Larsen: Samuel M. Comer for The Rose Tattoo
- Production Design (Black and White)Beaten by Arthur Krams, Hal Pereira and Tambi Larsen: Samuel M. Comer for The Rose Tattoo
- Production DesignBeaten by John Meehan: Emile Kuri for 20,000 Leagues Under the Sea
- Production Design (Black and White)Beaten by Richard Day for On the Waterfront
- Production Design (Black and White)Shared with Edward Carfagno: Edwin B. Willis and Hugh Hunt
- Production DesignBeaten by George Davis: Walter M. Scott, Lyle R. Wheeler and Paul S. Fox for The Robe
- Production DesignBeaten by George Davis: Walter M. Scott, Lyle R. Wheeler and Paul S. Fox for The Robe
- Production DesignBeaten by George Davis: Walter M. Scott, Lyle R. Wheeler and Paul S. Fox for The Robe
- Production Design (Black and White)Shared with Edward Carfagno: Edwin B. Willis and F. Keogh Gleason
- Production DesignBeaten by Paul Sheriff: Marcel Vertès for Moulin Rouge
- Production DesignShared with E. Preston Ames: Edwin B. Willis and F. Keogh Gleason
- Production DesignBeaten by Cedric Gibbons, E. Preston Ames: Edwin B. Willis and F. Keogh Gleason for An American in Paris
- Production Design (Black and White)Beaten by Richard Day: George James Hopkins for A Streetcar Named Desire
- Production DesignBeaten by Hans Dreier, Ray Moyer and Walter Tyler: Samuel M. Comer for Samson and Delilah
- Production Design (Black and White)Beaten by Hans Dreier, John Meehan: Samuel M. Comer and Ray Moyer for Sunset Boulevard
- Production DesignShared with Jack D. Moore and Paul Groesse: Edwin B. Willis
- Production Design (Black and White)Beaten by Harry Horner: Emile Kuri and John Meehan for The Heiress
- Production DesignShared with Paul GroesseInterior Decoration: Edwin B. Willis
- Production DesignBeaten by Ernst FegtéInterior Decoration: Samuel M. Comer and Hans Dreier for Frenchman's Creek
- Production Design (Black and White)Beaten by Wiard IhnenInterior Decoration: A. Roland Fields for Blood on the Sun
- Production Design (Black and White)Shared with Edwin B. Willis, Paul Huldschinsky and William Ferrari
- Production DesignBeaten by Thomas Little and Wiard Ihnen for Wilson
- Production Design (Black and White)Beaten by James Basevi, Thomas Little and William S. Darling for The Song of Bernadette
- Production DesignBeaten by Alexander Golitzen, Ira S. Webb, John B. Goodman and Russell A. Gausman for Phantom of the Opera
- Production Design (Black and White)Beaten by Joseph C. Wright, Richard Day and Thomas Little for This Above All
- Production DesignShared with Edwin B. Willis and Urie McCleary
- Production Design (Black and White)Beaten by Nathan H. Juran, Richard Day and Thomas Little for How Green Was My Valley
- Production DesignBeaten by Vincent Korda for The Thief of Bagdad
- Production Design (Black and White)Shared with Paul Groesse
- Production DesignBeaten by Lyle R. Wheeler for Gone with the Wind
- Production DesignBeaten by Carl Jules Weyl for The Adventures of Robin Hood
- Production DesignBeaten by Stephen Goosson for Lost Horizon
- Production DesignBeaten by Richard Day for Dodsworth
- Production DesignBeaten by Richard Day for Dodsworth
- Production DesignShared with Fredric Hope
- Production DesignBeaten by William S. Darling for Cavalcade
- Production DesignWinner









































